Wednesday, December 25, 2019

Essay on Creon As The Tragic Hero In Antigone - 602 Words

Sophocles’ Antigone is, without a doubt, one of the greatest tragedies ever written. There are many questions that somebody could ask about this work, but this one intrigues me the most: Who is the tragic hero? Could it be Antigone? Or could it be Creon? Antigone might be the name of the tragedy, but I believe that Creon is the winning candidate. His role in the plot of this tragedy, his sensible tragic fault, and his dynamic character are the obvious reasons why I chose him as the tragic hero. nbsp;nbsp;nbsp;nbsp;nbsp;First, Creon plays a significant role in the plot of Antigone. He, of course, is the center of the plot. It develops mostly around his actions. For example, Creon could have had the chance to live â€Å"happily ever†¦show more content†¦Second, Creon’s faults brought an endless life of pain upon himself. He carried an easily describable tragic flaw. Of course, this defect is a vital trait of the tragic hero of any work. Creon’s flaw was that he was stubborn. I could not reason what Antigone’s tragic flaw could be. I believe that if Sophocles wanted Antigone to be the tragic heroine, he would have stated it more clearly in the story. I am convinced that she was simply a victim of Creon’s stubbornness, therefore leading her away from the role of the tragic heroine. I would simply consider her as a type of â€Å"puppet† character that Sophocles ingenuously used to emphasize Creon’s flaw. Creon’s defect b rings misery to his life, for that his stubbornness indirectly kills Antigone, Haemon, and Eurydice. This, of course, fits the definition of a tragic hero. This can be easily reasoned by simply reading the work. nbsp;nbsp;nbsp;nbsp;nbsp;Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of theShow MoreRelatedCreon Is The Tragic Hero Of Antigone734 Words   |  3 Pagesnothing I havent seen in your griefs and mine†(Antigone 1-8). The Burial at Thebes is a version of Sophocles’ Antigone translated by Seamus Heaney. Antigone is a tragedy by the ancient Greek playwright Sophocles written around 442 BCE. The civil war is over. After the tragic death of the Oedipus, everyone would take the t hrone from one year to the next. Creon orders Eteocles to be buried with full honors, while Polynices body is left to rot. Creon says that â€Å"anyone who attempts to bury PolynicesRead MoreCreon: A Tragic Hero in Antigone606 Words   |  2 Pagesqualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic heros end in a tragic death that effects many people, not all tragic heros fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotles definitionRead More Antigone or Creon as the Tragic Hero in Antigone Essay758 Words   |  4 PagesA tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Gre ek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the lawRead More The Tragic Hero: Creon or Antigone? Essay1293 Words   |  6 Pagestragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of theRead More Creon as Tragic Hero of Sophocles An tigone Essay593 Words   |  3 PagesCreon as Tragic Hero of Sophocles Antigone There has always been a bit of confusion as to the tragic hero of the Greek Drama Antigone. Many assume that simply because the play is named for Antigone, that she is the tragic hero. However, evidence supports that Creon, and not Antigone, is the tragic hero of the play. Examining the factors that create a Greek Tragedy, and a tragic character, it is clear that the tragic hero is in fact Creon. First, take into account the timeframe in whichRead MoreEssay on Creon As The Tragic Hero Of Antigone by Sophocles781 Words   |  4 PagesCreon As The Tragic Hero Of Antigone by Sophocles Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone. Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad;Read More Creon As Tragic Hero of Sophocles’ Antigone Essay836 Words   |  4 PagesCreon As Tragic Hero of Sophocles’ Antigone Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon doesRead MoreEssay on Creon as the Tragic Hero in Sophocles Antigone1326 Words   |  6 PagesCreon as the Tragic Hero in Antigone     Ã‚   This essay will compare two of the characters in â€Å"Antigone†, Antigone and Creon, in an effort to determine the identity of the tragic hero in this tale.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   To identify the tragic hero in Sophocles’ renowned play â€Å"Antigone†, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: â€Å"Tragedy is a story taking the hero from happiness to miseryRead More Creon is the Tragic Hero in Sophocles Antigone Essay627 Words   |  3 Pages Creon is the Tragic Hero of Antigone nbsp; When the title of a play is a characters name, it is normally assumed that the character is the protagonist of the play. In Sophocles Antigone, most people probably believe Antigone to be the tragic heroine, even after they have finished watching the play. It may be argued, however, that Creon, not Antigone, is the tragic character. When we examine the nature and concept of the Greek Tragedy and what it means to be a tragic character, it becomesRead MoreEssay on Creon as the Tragic Hero of Sophocles Antigone997 Words   |  4 PagesCreon as the Tragic Hero of Sophocles Antigone   Ã‚  Ã‚  Ã‚   Who is the true tragic hero in Sophocles Antigone?   This question has been the subject of a great debate for numerous years.   Equal arguments exist that portray Antigone as the tragic heroine in the play and Creon as the tragic hero.   Aristotle, in his study of Greek drama entitled Poetics, provided the framework that determines the tragic hero of a work.   Though Antigone definitely possesses the characteristics and qualities that

Tuesday, December 17, 2019

The Deadly Hanta Virus Essay - 792 Words

The Deadly Hanta Virus Hanta virus is a dangerous and often deadly disease that must be guarded against. If proper precautions are not taken, hanta virus could lead to a nationwide outbreak causing many deaths. While there are a few cases of hanta virus reported each year, the consequences of coming down with the disease dictates that the U.S. set up certain safeguards to educate the population on how to protect themselves. Even though research is being done on hanta virus and its related illnesses, there persist many unanswered questions. Hanta virus like all other viri are some of the smallest organisms known to man. Their existence as living organisms is debated. Viri perform only the most basic functions of life. They seek†¦show more content†¦In addition, the incubation time of the virus is uncertain. Researchers think that it takes between one and five weeks after the initial contact with the virus before victims start showing symptoms of the illness. These early symptoms can vary s ignificantly from person to person. While most people will feel fatigue, fever and muscle aches in the large muscle groups. Other may also experience chills, dizziness, and abdominal pains. A week later, infected people will begin to experience coughing and a shortness of breath as their lungs fill with fluid. It is important to note that most hanta virus victims became ill even though they did not see rodents or their dropping, and others have had a large amount of contact with both before they became sick (CDC.gov pg. 1). Because of the wide variety of symptoms, hanta virus has gone through several different names. The common clinical features among the case-patients included a prodromial illness of fever, chills, and myalgia. The prodrome was followed by dyspnea, cough, throbocytopenia, severe hemodynamic instability, neutrophilid with immature forms, atypical lymphocytes, elevated serum levels of lactate dehydrogenase. There was a high mortality rate, approximately eighty percent in the initial group of patients, the chest x-ray examinations revealed a diffuse, interstitial infiltrate that resembled that observed in patients with adult respiratory distress syndrome (ARDS), which is a common pattern in patientsShow MoreRelatedEssay on The Hanta Virus1676 Words   |  7 Pages The Hanta Virus nbsp;nbsp;nbsp;nbsp;nbsp;The hanta virus is not a new foe to humanity. This mysterious and sometimes fatal disease has plagued humanity for over 1000 years. This virus, most likely originating in China over 1000 years ago, is transmitted by human contact with mice. Only relatively recently has the hanta virus captured the attention of the United States. Although the hanta virus has been known for such a long time, there is little known about the virus. In the United States mostRead MoreAids/Hiv Essay 10637 Words   |  3 PagesAIDS/HIV The HIV virus poses one of the biggest viral threats to human society today. It is contracted through bodily fluids such as blood and semen, and sometimes even saliva and tears. AIDS kills 100% of its victims and puts them through agony before they die. It has been a threat for about 15 years, and it is not going to stop now. In fact, AIDS is just getting started: It consumes more people each year. There is no known treatment for it either, only antibiotics to slow the reproduction

Monday, December 9, 2019

How Compromises Failed to Prevent the Civil War free essay sample

As tensions between the North and the South rose on the issues of slavery and states’ rights, numerous compromises were proposed to ease the conflict. Such compromises included the Missouri Compromise, the Compromise of 1850, and the Crittenden Compromise. These compromises had intentions of defining where slavery was permitted and clarifying states’ rights. They were only temporary fixes to a more pressing issue. Between the Missouri Compromise and the Crittenden Compromise, a series of events changed the political atmosphere of the United States and prevented any more compromises on the institution of slavery from being passed. In the years leading up to the Civil War, numerous laws were passed that not only prevented slavery from expanding to the North, but also limited states’ rights. The Missouri Compromise was one of the first to do so. Senator Henry Clay arranged an imaginary latitude line at 36Â °30’ North and slavery above this line was prohibited, while territories south of this line were permitted to have slaves. This limited the South from further expanding slavery to new territories. Pro-slavery Southerners felt a bias in the political system because Congress now had the power to exclude slavery from U.S. territories. Southern states believed that this power was reserved for them and by proclaiming the 36Â °30’ North latitude line, the federal government exercised unconstitutional power. The Dred Scott decision further supported the clause that the issue of slavery was reserved for the state government. Despite this, the South realized that the North and its anti-slavery views were gaining ground, while the North believed that the Dred Scott ruling limited its power. The Compromise of 1850 shifted the political landscape even more. California sought to be admitted to the Union as a free state, and the Wilmot Proviso suggested that the newly acquired land from the Mexican War was to be free as well. The South was concerned that admission of more free states would offset the balance of representation in Congress. At the same time, the Northerners feared that the revised Fugitive Slave Act was a step towards a slave power conspiracy. Prior to the revision, Northern states such as Missouri and Wisconsin passed personal liberty laws that ultimately nullified the Fugitive Slave Acts of 1793. The U. S. Supreme Court ruling of Prigg v. Pennsylvania weakened the Acts of 1793 even further by asserting that States did not have to aid in the capture of runaway slaves. Eventually the Compromise of 1850 was passed in separate parts and many assumed that it would be the longstanding answer to slavery in the States. In 1854, the Kansas-Nebraska Act tipped the delicate balance of states’ rights in the Compromise of 1850. Senator Henry Clay proposed the notion of popular sovereignty to determine whether these States would be free or slave states. This consequently repealed the Missouri Compromise by allowing slavery to spread North of the Missouri Compromise latitude line if popular sovereignty called for it. Popular sovereignty led to a series of deadly confrontations, known as Bleeding Kansas, between anti-slavery Free-Staters and pro-slavery Border Ruffians. In an attempt to establish Kansas as a free state, anti-slavery organizations such as the New England Emigrant Aid Company convinced thousands of anti-slavery Northerners to settle in the new territory for the sole purpose of casting anti-slavery ballots. The Southerners viewed this as a threat to slavery and established their own counter movement. After the Kansas-Nebraska Act and the events that ensued, the Whig party disintegrated because the sectionalizing effects on slavery could no longer maintain a party comprised of those who were pro-slavery, anti-slavery, and indifferent to slavery. Thus, Bleeding Kansas effectively split the nation into two major political parties: the Republicans in the North and the Democrats in the South. The Republican Party was composed of former Whigs and members of other anti-slavery parties, such as the Liberty Party. Most members of this party were anti-slavery who held a moderate view that failed to classify them as abolitionists. They were opposed to the expansion of slavery and called for Congress to prevent the further expansion of slavery into new territories. They believed that by confining slavery to its current boundaries, it would gradually be eradicated. The formation of the Republican Party was one of the primary reasons of how the political landscape changed in the Union. Throughout this time, the North was growing rapidly due to its industrial economy. They had more railroad mileage, industry, income, population, and ultimately more representation in Congress. In addition, the South was subject to high tariff laws that made it very hard for southern farmers to trade internationally. The result was a strong centralized government in the North, and an agrarian culture in the South that was solely dependent on slavery. Any attack against the institution of slavery in the South could potentially disintegrate the states in the South. In 1859, this fear became a reality as John Brown, an extreme abolitionist, led a raid on at Harpers Ferry. Although this uprising was brought down and denounced by Northern Republicans, slave owners believed that all abolitionists and Northerners shared the same radical views as John Brown. With the emergence of new political parties and the growing support for the Republicans in the North, the campaign of 1860 was the major turning point in the political atmosphere. In May of that year, Abraham Lincoln was nominated at the Republican National Convention as the presidential candidate. The Republican platform had moderate anti-slavery views and endorsed means of promoting industry. The Democratic Party, on the other hand, continued to support their doctrine of popular sovereignty. However, Northern and Southern Democrats interpreted this notion independently. Northern Democrats assumed that under popular sovereignty, slavery would not expand because Free-Staters could quickly settle in the West and thereby claiming the land as free. Southern Democrats assumed the same principle, except instead of free settlers, slaveholders would be able to quickly settle in new territories with their slaves and claim the land as slave territory. This ultimately resulted in the schism of the Democratic Party. At two separate conventions, the Northern Democratic wing nominated Stephen Douglass and supported the doctrine of popular sovereignty, while the Southern wing nominated John Breckinridge and supported the notion that slaveholders were allowed to bring their slaves and claim the land as slave holding. To make the campaign of 1860 more complicated, another political party took its roots, namely the Constitutional Union Party. Composed of conservative members of the Whig and Know Nothing Parties, they nominated John Bell as their presidential candidate. This led to essentially two separate elections: Lincoln versus Douglas in the North, and Breckinridge versus Bell in the South. Perhaps the most controversial issue was the fact that although Lincoln did not appear on the ballot in most Southern states, he was declared the sixteenth President despite not carrying a single southern state. This indicated that the national political system was failing and that the South no longer had an influential role in the government. Despite Lincoln’s assurance that it was not his policy to abolish slavery, Southerners referred back to Harper’s Raid and failed to eed Lincoln’s message. This drastic shift in political atmosphere following the Compromise of 1850 and the 1860 Presidential election resulted in the inability to accept any compromises. The South believed they no longer had a voice in the government and believed that this would inevitably lead to the abolishment of slavery by the Northern majority in Congress. The South was dependent on slavery for income, so they could not afford to switch to a system of free labor. The Crittenden Compromise is a prime example of how a Northern, anti-slavery view rejected any compromises made by the South. Evidently, this led to the secession of Southern states. Northerners and Southerners were able to accept compromises made regarding slavery prior to the Presidential election of 1860. However, as the Northerner’s fear of a slave power rose so did the Southerner’s fear of a centralized government that would abolish slavery. Events like Bleeding Kansas and Harper’s Raid increased tensions between slaveholders and non-slaveholders. In the end, they realized that slavery could no longer remain issue that could be compromised on. In 1845, the Republic of Texas was annexed and admitted to the Union as the 28th state. Following the Mexican War, the issue of slavery in the newly acquired land caused fierce debates among politicians. Southern Democrats were heavily influenced by Manifest Destiny, and hoped acquire new slave-owning territory, while those in the North feared the rise of a Slave Power. The House of Representatives passed the Wilmot Proviso, which stated that slavery was prohibited in any territory acquired from Mexico. However, the Senate failed to pass the proviso due to an overwhelming pro-slavery opinion. wever, Senator Stephen A. Douglas passed the Kansas-Nebraska Act of 1854 and consequently repealed the Missouri Compromise by allowing slavery north of the latitude line. The notion of popular sovereignty led to a series of deadly confrontations, known as Bleeding Kansas, between anti-slavery Free-Staters and pro-slavery Border Ruffians. In an attempt to establish Kansas as a free state, anti-slavery organizations such as the New England Emigrant Aid Company convinced thousands of anti-slavery Northerners to settle in the new territory for the sole purpose of casting anti-slavery ballots. The Southerners viewed this as a threat to slavery and established their own counter movement. Initially, the Border Ruffians won the election and drafted a pro-slavery constitution for the territory of Kansas. In response, Free-Staters drafted the Topeka constitution and formed a shadow government. In 1857, another constitutional convention met and drafted the Lecompton Constitution, which was heavily opposed by abolitionists. This eventually gave way to the Wyandotte Constitution, which was ultimately approved by the Senate and admitted Kansas as a free state. The unfailing anti-slavery voice in Kansas Election of Lincoln (republican, northerner, antislave person) = south would lose more power in congress Less population in south = less representation Shifting political landscape any territory above this line was prohibited to have slavery. Territories south of this line were permitted to have slaves. This was evident when a compromise was made in 1860.

Sunday, December 1, 2019

Studying Two Alan Bennett Monologues Essay Example

Studying Two Alan Bennett Monologues Paper A monologue is a play with a single performer. The word monologue is of Greek origin and comes from mono-logos. Mono means word of one person and logos means voice hence monologue, one voice. Alan Bennetts work is impressive and his understanding of characterization is second to none. He has an ability to capture the life- styles and backgrounds of the characters he creates. The language of each character brings forward clichi s that can be humorous although in my view this might not have been always intentional. In carrying out my research I found an article in The Times Newspaper where Alan Bennett recognized that although he calls this work a series of monologues they could be plays. In fact, two of his monologues have been lengthened to enable them to be performed in the theatre. The article also stated that they could, equally well, be called short stories, for although none has a conventional short story construction, each has a plot, of sorts. It is a measure of Bennetts skill with language, that all of the scripts establish detail, plot and development of character. A Lady of Letters We will write a custom essay sample on Studying Two Alan Bennett Monologues specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Studying Two Alan Bennett Monologues specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Studying Two Alan Bennett Monologues specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Patricia Routledge was cast in the BBC production to play Irene Ruddock, a middle aged woman who writes letters. We soon discover that what she regards as her public responsibility has in the past turned into libel. As a result legal action has been taken against her and she has been bound over to keep the peace by a court for writing invasive and offensive letters to her neighbours. Irene Ruddock is a lonely and sad woman. The death of her mother had a deep effect on her life and writing letters is in a way her escape route for loneliness and a lack of friends/family. Her letters include writing replies to circulars and even a letter to the Queen about dog droppings! It starts to become really serious when she writes to her neighbours believing that they were abusing and neglecting their child. This is based on her prejudice towards the parents, for example she is disgusted by the fact that he has a tattoo and the kiddy looks filthy. Although Irene realizes that she may need help and visits the doctor she neglects to take the medication. Her local vicar also has little influence on her. Eventually Irene is cautioned by the police and informed that the child has died of leukemia. She is prosecuted and given a suspended sentence and assigned two social workers, who try to encourage her to join the community. Her response is to write another series of letters about the local community policeman and the lady at No. 56, which land her in prison. Prison life dramatically changes Irene because she has now found the friends and companionship she had longed for in the outside world. Irene making friends in prison is surprising because she is now mixing with people who were the victims of the letters she used to write. The strength of the monologue comes from a malicious trouble maker who finally becomes a liberated woman. It is ironic that for Irene prison is for her freedom. A Cream Cracker under the Sofa Thora Hird in the original BBC production plays Doris, a fiercely independent woman. While carrying out housework she severely injures herself. She tries to attract attention and when a policeman knocks on the door she decides to turn him away. Doris refuses to consider moving to an old peoples home where everyone smells of pee. Although one should feel sorry for Doris it is difficult to do so given her obsessions with hygiene. This monologue and the revelations about Doris and Wilfred the baby which wasnt fit to be called anything and which was wrapped up in newspaper as if it was dirty is much more shocking than A Lady of Letters. Doris has a very old fashioned outlook on life, she remembers the world when people were clean and the streets were clean. Doris is a very strong-willed woman. It is ironic therefore that to be saved she must admit that she is unable to look after herself, because she does not realise this she would rather die on the floor of her home than go to aold folks home. Talking Heads My research established that Alan Bennett believes forms. dictate themselves and that material demands to be written in a particular way and no other. Each of his characters, according to the author has a single point of view and none is telling the whole story. He says that his characters are artless and dont quite know what they are saying. This is in my view very much about the conventions he establishes. It seems to me that Alan Bennett writes very realistically. The actors speak directly to camera and alone. It is as if the audience is not watching as far as the speaker is concerned. In some ways this is like a catholic confession. The characters reveal themselves to be what they are. The writer assumes that you understand the characters emotions and you can relate to them in some way or another. The writer also assumes that you care about what happens to the characters. The BBCs approach to televising Alan Bennetts plays for television was in many ways to keep their theatrical presence although they were recorded in a television studio. The BBC broadcast them in the late 1980s; they received great public and critical acclaim because of their portrayal of human endeavour. Thora Hird won a BAFTA in 1988 for her performance as Doris in A Cream Cracker Under the Sofa and won three more awards for performances in Alan Bennett monologues, Two BAFTAs and one EMMY. These monologues were among Alan Bennetts first to be produced and broadcast. One of the challenges in televising a monologue is keeping the audiences attention as monologues are not always visually entertaining. In the programmes the directors use a close-up camera shot when the character is talking about something important. For example, in The Lady of Letters when she talks about the visit from the police when Irene states the line: No. Leukaemia The technique of mid-shot and close-up is used throughout. The music in the monologues is very fitting and allows the audience to appreciate the different moods of the play. The music is in the minor key throughout most of the monologues, demonstrating how depressed and miserable the characters sometimes are. The music is introduced to create atmosphere when something particularly emotionally stirring or dramatic is occurring. The music is also used to link the end of scenes and the fades to black. However, silence also is used to highlight different parts of the play. When the actors say important lines there is a silence for a few seconds before music is brought back. This allows the audience time to assess the dramatic effect of the play. There are several set changes in both monologues. The Lady of Letters starts off in Irenes house, in a dull plain room with just a desk and a window. The walls are plain and white with no form of decoration. The lack of decoration might suggest her lack of interest in the inside of her house; she is more interested in what is outside. After a short period of time she moves to an armchair to read the paper, yet she is still in view of the window. In the middle of the monologue there is an end of scene in which Irene is leaving her house and putting her coat on. The only other set change in A lady of Letters is when she is sent to prison. The prison walls have a plain industrial pattern and a reinforced window to prevent the inmates escaping. The sets in A Cream Cracker under the Sofa do not change very often. At the beginning of the monologue Doris is sitting in an armchair in her main room. In the room is a fireplace. When Doris tries to go and make a cup of tea she is unable to do so and ends up on the floor by the fireplace sitting next to the wedding photo she cracked. Doris attempts to make it to the door to get help. This is when the next scene change occurs. Doris ends up seated on the floor in front of the door. Later on as the monologue draws to a close Doris manages to drag herself back into the living room in which she started the monologue. The main setting of a Cream Cracker under the Sofa is Doriss main room. This room is full of furniture and is very out of date. I think this is linked with the fact that she is trapped in the past by her views of people and her obsession with hygiene. In a monologue, normally you do not see the plot happening directly. It happens, then the character tells you about it. The only exception of this in the two monologues is at the end of A Cream Cracker under the Sofa. When the police officer approaches the window you actually see Doris turn down the officers help. Fading to black is used to differentiate between two different time periods and to change the set, for example in A Lady of Letters after Irene says the line: He needs reporting (when referring to the police officer who is having an affair with the woman down the street) It fades to black and comes back with Irene in prison, this shows it is used as both a change of time and place. In the monologues the character is always talking to the camera and almost always looking straight into the camera. This makes it seem as if the character is talking directly to the viewer and I think this helps the viewer to understand their choices and opinions better than if they were not talking to the camera. One becomes almost like the characters diary. I think this because they tell you everything, yet you play no part in the plot or their life. The two monologues vary in the use of humour. A Lady of Letters subject matter uses humour effectively whilst A Cream Cracker under the Sofa has little humour. The situation of an old woman alone and in pain, condemning herself to death leaves little to laugh about. However a few moments for example are when Doris is lying distressed on the floor and a young boy enters her garden and she sees him spending a penny she says: The cheeky monkey. Hes spending a penny. Hey. Hey. Get out. Go on. You little Demon. Would you credit it? Inside our gate. Broad day light. The placell stink. Also Doris states: They ought to get their priorities right. They want learning that on their instruction course. Shouting about Jesus and leaving gates open. Its hypocrisy is that. It is in my book anyway. Love God and close all gates. Most of the comedy in the two monologues is ironic humour. Irony is when the character says something then something happens that completely contradicts what they said for example, when Irene says: Prison, they have it easy, television, table tennis, art. Its just a holiday camp, do you wonder theres crime? Then when she is sent to prison she enjoys it, this is ironic. The settings in both monologues are similar yet subtly different. For example they both start off in rooms that are old fashioned, but they are old fashioned in different ways because they are from different generations. Both the rooms have a focal point that is involved in the plot and the character concentrates on it. In A Lady of Letters it is the window. Irene is near a window for almost the whole of the monologue this is because she is observing the social life of her community rather than taking part in it. In A Cream Cracker under the Sofa the focal point is the fireplace. Doris injures herself while trying to dust it, she ends up next to it when she tries to go and make a cup of tea. Windows are also key in A Cream Cracker under the Sofa. Through the windows Doris sees the little boy spending a penny and the police officer coming to help her. There is a wide variety of connection between the two monologues. They both are about women who are trapped in some way. Irene is trapped by her anti-social letter writing and her lack of friends. You know that Irene has a lack of friends because she calls her pen a real friend. Doris is trapped by her obsession with hygiene and her old fashioned views. You can tell that Doris is obsessed with hygiene because she talks about how she had an argument with her deceased husband Wilfred about having a tree in the garden she says: Given the choice Wilfred Id rather have concrete. He said concrete has no character. I said, Never mind character, Wilfred, Where does hygiene come on the agenda? With concrete you can feel easy in your mind This extract shows just how obsessed with hygiene Doris is and how it rules her decisions and her life. Another extract that demonstrates how obsessed with hygiene she is, is when she and Wilfred have a discussion about getting a dog: Hairs all up and down, then having to take it outside every five minutes. Wilfred said he would be prepared to undertake that responsibility. The dog would be his department. I said, Yes, and whose province would all the little hairs be? What they both need is friends and family, to distract Irene from the goings on of her neighbours and to stop her from sending letters and to give Doris companionship. Both monologues are about two women who are living by themselves and they both have lost a loved one, Doris her husband and Irene her mother. Each monologue makes you feel sympathetic towards the characters involved because of the ordeal they have been through. At the end of A Lady of Letters you feel happy for Irene because of her new found friends. At the end of A Cream Cracker under the Sofa you are not sure if you should be happy for Doris because she avoids being sent to the old peoples home (Stafford House), or if you should feel sad for her because she dies. The monologues have quite similar structures. Both the monologues start off in mid conversation leaving the audience confused as to what is happening and what the character is talking about. They also both finish with a summing up line. For A Lady of Letters the finishing line is: and Im so happy The last line in A Cream Cracker under the Sofa is: Never mind. Its done with now, anyway. Both these lines give the audience a look at how the character views her decisions and their outcome. The language used by the characters and written by Alan Bennett is quite varied and it is like a real conversation. It is not like someone is reading from a script. It is as though they are really making it up as they go along, because Alan Bennett has written in thinking time and pauses for contemplation. The language that is used is the kind of language that women of those ages would be using. I noticed that the two characters speak quite similarly and have a similar vocabulary of words; for example, they both refer to children as Kiddies.